Praise for Matt Lax and Nearly Beloved’ new CD: “Where’s Bob”
“A bunch of roots cats that have an unabashed love for early Statler Brothers, Bakersfield sound and Tom Waits come in with a subversive roots date that would have normally had to spring from a mind like Kinky Friedman. Killer roots music for malcontents that want to keep it slightly under the radar and not give their stripe away too quickly, this stuff is a gas for anyone with a sense of humor—even though it’s not a comedy record. Great stuff for those looking not to play it too straight.”- Chris Spector of Midwest Records .
“The title track is one of the year’s best songs…The disc ends with Matt Lax alone with his acoustic guitar, singing a song about leftie/ folkie Woody Guthrie’s sister. Another of the year’s best songs. Matt Lax is clearly a songwriter to watch.”
Paul Rile-Country Music People-UK
With sly humor, an ample serving of classic country songwriting and sparkling guitars, Matt Lax and his SF-based band, Nearly Beloved, bring you their newest record, Where’s Bob? Due out March 13 on Attaboy Records. Nearly Beloved is a group of seasoned roots and Americana musicians who are at home playing swing, traditional country, the Bakersfield sound, country rock, and bluegrass. Throughout the recording they play with depth and experience as they guide “Darling Bob” and the many star-crossed characters from the album, along their way. Lax describes the varied personalities from his songs, “People living lives full of mistakes, paying the price, and learning from their mistakes…or not!”
The album combines a rich blend of styles unified by Lax’s songwriting and singing, and the band’s crack musicianship. The opening track, My Memory is reminiscent of classic Buck Owens and fervently reminds us, “don’t sweat the small stuff.” Cool Fucking Sunset is an anthem to the California Surfer and has a Byrds cum Rolling Stones feel to it, while Where’s Bob? with spare instrumentation and a gorgeous gospel background serves as the ultimate testament to rebound relationships. Tomorrow Won’t Be The Future is a Gram Parsons’ inspired tune whose theme explores the fatuous notion that science and industry can rescue us from our current environmental peril. My P-Role Officer is a jug-band infused look at our criminal justice system from the perspective of a simple minded ne’er do-well. Bob Dylan’s Subterranean Homesick Blues is the lone cover song on the disc and his warning “lookout kid” seems to fit right into Lax’s circumspect world of downtrodden characters. “It’s likely part of my Irish Catholic upbringing,” says Lax, “When I’m feeling optimistic I like to say ‘the glass is only half-empty’, because things can always get worse!”
The album is not all irreverence. The many acoustic offerings include The Moon and Morning Star and Sunflowers Turned Away, intimate and plaintive songs like those from Lax’s 1998 release Wanderer’s Dream. Little Woodblock, the final song of the album, features Lax alone with his guitar reflecting on Woody Guthrie’s journey and the influence his older sister’s premature death had on that troubadour’s beautiful and tragic life. “Woody Guthrie gave so much to this world, while in his own life he suffered so many personal tragedies.”
THE BAND:
Nearly Beloved are Matt Lax-guitars, mandolin and vocals, Erik Pearson- guitar, banjo and vocals, David Rubin– drums, Paul Olguin- bass, and Peter Lax- harmonica.
Matt Lax (nee Lacques) grew up all over California and Texas in the 1970s, and lived in Austin, TX in the early 80’s in the prime of its songwriter heyday. Finally settling in the San Francisco area in the mid-80’s, Matt ensconced himself in the African music scene and joined the band, Zulu Spear; with whom he wrote and played for 10 years. Matt penned the band’s title song for their 1991 Capitol Records release. Matt began his solo recording career in 1998 with Wanderer’s Dream, an album of heartfelt torch songs with an all-acoustic lineup. In 2002 Matt Lax and Nearly Beloved released the afro-billy inspired Hurricane and Tumbleweed. Matt currently splits his time between playing with The Palm Wine Boys, Nearly Beloved, and teaching at Juvenile Hall in San Francisco.
Paul Olguin grew up playing music in LA. He and Matt met in a garage rehearsing with the African band Sankorfa, some 27 years ago! Paul relocated with his wife to the Bay Area in 1998. He has played on recordings or appeared live with: The Drifters, Mazzy Star, Victor Krumenaker of Camper Van Beethoven, Terry Haggerty, Shanna Morrison, Maria Muldaur, and Jeffrey Halford and the Healers.
Erik Pearson grew up in Pennsylvania, is a graduate of Oberlin College and Conservatory of Music, and has an encyclopedic knowledge of old-time banjo. Erik’s composition “File and Fork” was included on the soundtrack of Sean Penn’s film Into The Wild. Erik and story-teller Diane Ferlatte’s album Wickety Wack, Brer Rabbit’s Back was nominated for a Grammy Award in 2006. Erik has played and recorded with Billy Talbot, The Crooked Jades, Mushroom, Sonya Hunter, and Mudhoney. Erik sang and arranged the 12 vocal parts that together are ‘The Wall of Bob!’
Peter Lax (Lacques) took up the harmonica in 8th grade, inspired by Sonny Terry. In the 1980’s he lived in Austin and played in a variety of blues and country bands. The mid-80’s found him in Los Angeles where he formed the Grammy-nominated “new-wave polka” band Rotondi with brother Paul Lacques. Peter now resides in Marin County where he performs with a variety of Bay Area bands.
Dave Rubin hails from Chicago and has played everything from speed metal to be-bop. He played with New Morty Show and with Connie Champagne during the swing revival in the mid-90’s. He played behind Ray White (vocalist and guitarist with Frank Zappa).
For more information: http://www.nearlybeloved.com
Doug Blumer & Bohemian Hwy – 8:30pm
DOUG E. BLUMER was born and raised on the banks of the Mississippi River in Southern Missouri. His musical roots included equal parts Buck Owens and The Beatles with dashes of bluegrass, gospel and folk.
After a stint in the Navy, which included playing in a band on board his ship and in several different countries, he relocated to northern California. It was in San Francisco during the 1980′s that he became part of the local music scene, joining several rock bands and writing original music.
Doug continues to be a mainstay of the Bay Area Alt-country/twang scene. Again, working with the able rhythm section of McCloskey/Owen, he formed The Cheatin’ Hearts in 2005 to showcase the vocal interplay between he and well-known veteran, Pamela Brandon (Chazz Cats, Belle Monroe).
Blumer also fronted The Beerhunters, a good-time, rockin’ honky-tonk band that included McCloskey, Owen and Jeff Hanson on lead guitar & pedal steel, whom he met through the Valerie Jay band.
For the past several years he has been the bass player and harmony vocalist with the SF band MISISIPI RIDER. This is a four piece band with Misisipi Mike Wolf and Cree Rider as lead songwriters and vocalists along with the charming Katy Rexford on Fiddle. We have a self-titled album, released in 2009.
In 2010, Doug moved from San Francisco to Sonoma County. He will expand his area of performing to include this new territory, and is excited to meet many new fans and musicians.
http://www.dougblumer.com/home.html
Comment »

























