Mark Matos & Os Beaches – 10:30pm
Born to Portuguese immigrants in the San Francisco Bay Area in 1974, Mark Matos was the first American branch on his family tree and the son of one of California’s most popular Portuguese radio DJ’s. As a teen, Matos briefly trained as a Portuguese Bullfighter before thinking better of it and hitchhiking out of California to spend a decade with his back to the wind, working odd jobs in the strangest of places: in Alaska way up at the Arctic Circle, on the Big Island of Hawaii circling Terence Mckenna’s compound, a brief spell as a music journalist in Port Townsend, WA and many a Golden Couch across the living rooms of this new, weird America.
Matos settled in Tucson AZ in the early part of the century where he began performing under the banner of Campo Bravo with a rotating collective of musicians that included future members of Dr. Dog, Golden Boots, Jesse Sykes & The Sweet Hereafter, and a bit of cross pollination with Howe Gelb’s Giant Sand congregation. After a couple of self released efforts, Campo Bravo released Goodbye, Oklahoma on KEEP Recordings in 2006. Matos disbanded Campo Bravo and relocated to San Francisco shortly thereafter where he lived in a residential hotel on Polk Street and began work on a group of songs that would eventually make up Denver Lights & Eagle Rock Dreamer, Matos’ “lost” album recorded with members of Bad Weather California, Conor Oberst & The Mystic Valley Band, The Csars, and Nathaniel Rateliff in Denver and Los Angeles in 2007. The album was scheduled to be released on Italian imprint Awful Bliss before the label abruptly closed it’s doors and, without an American label at the time and no financial backing, Matos’ Denver Lights… was shelved as he moved on to other projects, notably the formation of Mark Matos & Os Beaches.
MM & OB signed to San Francisco’s Porto Franco Records in 2008 and released Words Of The Knife in 2009, a record that featured Dave Mihaly (Jolie Holland), Tom Heyman (Court & Spark, Girls), Ben Reisdorph, Aaron Keirbal (Rupa & The April Fishes), Matt Adams (The Blank Tapes), and Charith Premawrdhana (Magic Magic Orchestra), among others, and signaled the beginning of a new chapter in Matos’ story. The record got some attention, charting at places like KVRX in Austin, TX and KUSF in San Francisco, and got some kind words from respectable rock ‘n’roll purveyors like Crawdaddy, All Music Guide, and The Bay Bridged. The anticipated follow up would take longer than expected and come at a cost. Joe Lewis, a Mission District mainstay who had spent time manning bass duties with both Thao Nguyen and Adam Stephens (Two Gallants), was brought in along with Joe Miller (the enigmatic drummer of SF’s premier Syd Barrett tribute band, Syd’s Last Trip) to form Os Beaches’ semi permanent rhythm section. A time of heavy touring and heavy living followed. Matos parted ways with long time guitarist Ben Reisdorph and severed ties with producer Eric Moffat, taking the production helm of Coyote & The Crosser (the direction of which had become a point of contention) and instilling the help of gonzo recording engineer Charles Gonzalez, Iggy & The Stooges’ sax man Steve Mackay, Matt Adams (Blank Tapes), Nathan Sabatino (Dr. Dog producer/engineer), and New, Improved Studio’s Eli Crews (Beulah) to complete the record.
The album’s journey took Matos from San Francisco to Tucson to LA and back to Oakland and in between he was hospitalized with a head injury after being assaulted by a group of Skinheads inside of a venerable San Francisco music venue, an event that persuaded Matos to venture alone into the Sonoran Desert on a Vision Quest and eventually to Nathan Sabatino’s desert getaway (Loveland Studio) where Matos and Sabatino mixed the record in nearly complete darkness, using the experimental process of sight deprivation to combat the protools era problem of what Matos calls “mixing with your eyes”.
After a support gig with Akron/Family and a memorable evening as a member of Howe Gelb’s Melted Wires (with Grandaddy’s Jason Lytle, PJ Harvey’s John Parrish, members of Calexico and Victoria Williams) Matos returned to Porto Franco Records’ San Francisco headquarters and presented them with the completed record, only to be informed that PFR had decided to change their business model and move away from releasing albums. They released him from his contract, so he’s putting it out on his own Family Folk Explosion imprint, where you can download it and pay whatever you want for it or whatever you can afford given the particulars of your situation.
Matos has performed at San Francisco’s Great American Music Hall, The Harmony Music Festival, The Mission Creek Music Festival, and the Rialto Theater (Tucson, AZ). He has shared bills with M. Ward, Neko Case, Mother Hips, Jackie Greene, Flaming Lips, Laura Viers, Bill Callahan, Okkervil River, and Akron/Family. He has played with members of Grandaddy, Giant Sand, Iggy & The Stooges, Phil & Friends, Dr. Dog, Rogue Wave, Conor Oberst & The Mystic Valley Band, and the beautiful Victoria Williams. He calls his music Americalia, a tip of the hat to Brazil’s late 1960′s Tropicalia movement and to the dust bit Americana lineage of which he is just a spoke in the wheel.
Beaucoup Chapeaux – 9:00pm
From the beautiful river blessed Nevada County, CA, Beaucoup Chapeaux’s music is arranged and performed on piano accordion, violin, oboe, English horn, tenor guitar, guitar, banjo, dobro, clarinet, bass clarinet, saxophone, flute, piccolo, and voice.
These are a very well traveled and truly eclectic bunch of individuals that form a fantastic group. Maggie has performed/recorded with many fine musicians including two time Grammy winner Mary Youngblood, Alasdair Fraser, Utah Phillips, Paul Kamm and Eleanore MacDonald, George Brooks, Ron Casat, Bill Eaglesham, Peter Wilson, Sands Hall, Ivan Najera, Bill Douglass, and Dan Scanlan. She gained her reputed wildness growing up half feral in California’s Santa Cruz Mountains, and the central coast. Her curiosity and travels led her through rock, folk, blues, classical, country, bluegrass,newgrass, Canadiana, Americana, Jazz, Celtic, and Gypsy, while performing on street corners, ships, beaches, mountain tops, cafes, barns, bars, museums, cemeteries, peace marches, benefits of all kinds, and on many festival stages.
http://www.beaucoupchapeaux
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